With a conspicuous objectivity, Pernilla Zetterman succeeds in portraying, here and in other works, the transference that takes place from older to younger generations in a family, which can only be felt indirectly. All these photographs equally deal with time, visualize transformation in time, passage, at the same time attentively following the traces of time. För vad den ska. A last image, taken at dark, the gaze directed at the asphalt, wet from the rain, through which a black crack cuts like a meaningful line, casts a gloomy shadow on the previously viewed images, on the patterns of behavior represented in them. Med piska och muntliga kommandon driver hon henne kontrollerat runt runt runt i manegen.
A black handbag overfilled with used tissue paper.
A Manics Family Album - in pictures
At least, at first sight. Titeln Stay har en högst konkret bakgrund, som både är närvarande i verken och fungerar som en ingång till utställningen i sin helhet. Att tänja på kroppens gränser. And yet the focus of the photograph—from an external to an internal, penetrating vigilance—is correct: Yet the large gatefold panorama of a track expresses something more complex: It becomes lighter, calmer, more deliberate and everyday—or so it seems.